Select and drag the video clip into one of the video tracks. Step 3: Import Footage Into Premiere Fire up Adobe Premiere, create a new project and import your source files into the file 'bin'. Get this footage from your camera into your PC. Step 2: Capture Footage Ok so you've got some footage of your actor firing off a few rounds. I'm no expert in the true dynamics of gun fire but this is about what looks cool not what looks realistic. Editing will become much simpler if you can do this. This makes it very clear where the gun shot actually happened. Gun shots should result in a short, sharp flick of the wrist. If the movement is too spongy it will be hard to workout exactly where to put the sound and gun flash later on. One shot every 2 seconds should be your maximum rate of fire.Ĭ) Make sure your actor does a good job of representing the recoil of the gun. It will be extremely hard to add flash and sound to shots if there is very little time between them. Obviously a black handgun is going to look better than a lime green water pistol.ī) with a handgun don't try to film your actor firing multiple shots per second. There are a few suggestions I can make here.Ī) make sure the weapon you are using looks realistic. No amount of fx are going to make up for poor source material. Step 1: Film Footage Start with your actor firing the weapon. Unfortunately we didn't have any real automatic weapons so we decided that for our future projects we had better work out how to fake them. Source footage, muzzle flash, sound and of course shell casings for all you people out there with automatic weapons. There are four elements to a good gun shot effect. I am also assuming that the user is familiar with the basics of using Adobe Premiere. This tutorial assumes the use of Adobe Premiere but the technique can be applied to other video editing packages as required. If you select this option and try removing the white color, then only the area around the donut will disappear but the inside of the donut will remain opaque.This page describes the techniques we used for creating muzzle flashes. For example, if you have a PNG of a donut on white background, then the white color will be both inside and outside of the donut. Additionally, we have added an option "Match Outer Pixels Only", which lets you remove only those areas that are in contact with the outer edges of the image. This way, you don't have to know the name or code of the transparent color and you can make the PNG transparent by simply clicking on the color in the PNG. For example, if you click a green pixel, then all greenish pixels will be made transparent. Also, you can interactively click on the input PNG to instantly remove any color and its tones. By increasing the smoothness radius, you can remove more pixels from the edges and make PNG clearer. This option makes the pixels on the border between transparency and opacity semi-transparent. If you remove the color and the edges of the image still have a pixel or two of the old color, you can refine the edges and smooth them by enabling the "Smooth Edges" checkbox. For example, if the color that you're removing is red, then it will also remove cherry-red, rose-red, wine-red, and similar shades of red. By default, 30% similar color tones are matched but you can change it as you see fit. To match similar color tones, enter the similarity percentage in the settings. This online browser program replaces any solid color and its close color tones in a Portable Network Graphics (PNG) photo or picture with transparent pixels.
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